So you’re feeling inspired, brush in hand, ready to create a masterpiece, but then it hits you. You don’t have any proper watercolor paper! Don’t let this temporary setback stop your artistic flow. The question of “What Can I Use If I Don’t Have Watercolor Paper” is a common one, and thankfully, there are plenty of viable alternatives to keep your creativity flowing.
Everyday Surfaces That Can Hold Watercolor
While dedicated watercolor paper is designed to handle the moisture and pigment without buckling or tearing, many common household items can serve as surprisingly effective substitutes. The key is to understand how different surfaces react to water and pigment. Some materials might require a bit more preparation or a lighter touch with your brush, but the results can be just as beautiful, if not more unique. The importance of experimenting with different surfaces cannot be overstated when you’re exploring alternatives to watercolor paper.
Here are some excellent options you might already have lying around:
- Cardstock: A heavier weight cardstock, especially that used for scrapbooking, can hold up reasonably well to watercolor. Look for cardstock with a weight of 80 lb or higher.
- Mixed Media Paper: This paper is specifically designed to handle a variety of wet and dry media, making it a good all-rounder if you have it on hand, even if it’s not strictly watercolor paper.
- Acrylic Paper: Similar to mixed media paper, acrylic paper is built to withstand more liquid than standard drawing paper.
- Canvas Panels or Stretched Canvas: While often associated with acrylics or oils, you can absolutely use watercolors on canvas. You’ll need to prime it first with a gesso that is suitable for watercolors, or use a watercolor ground.
For surfaces that might not be as absorbent, consider these techniques:
- Priming: Applying a layer or two of gesso or a watercolor ground can create a surface that behaves more like traditional watercolor paper.
- Stretching: For thinner papers, like heavier drawing paper, you can try stretching it before painting. This involves taping or stapling the wet paper to a board, which helps prevent buckling.
- Thicker Layers: Avoid overloading your brush with water. Instead, opt for more concentrated pigment and build up your washes gradually.
Here’s a quick comparison of how some common alternatives might perform:
| Surface | Pros | Cons |
|---|---|---|
| Cardstock | Readily available, can hold some water. | May buckle, colors might appear less vibrant, limited washes. |
| Canvas Panel | Durable, offers a unique texture. | Requires priming, colors can be absorbed differently. |
| Printer Paper (with caution) | Extremely accessible. | Buckles severely, tears easily, very limited washes possible. |
Remember, even if a surface isn’t ideal, a little creativity and adaptation can lead to unexpected and exciting artistic outcomes. Don’t be afraid to experiment with what you have.
If you’re looking for readily available and affordable options that can often be found at your local craft or office supply store, the next section will provide you with some excellent starting points that go beyond just standard printer paper.